Ongoing or ending before February 2022

The Parkette Projects
September 12–November 20, 2021
Toronto, ON 
Mitchell Akiyama, Raven Chacon, Ronnie Clarke, Vanessa Dion Fletcher, Marisa Gallemit and Amy Lam
Curated by Shani K Parsons

Parkettes are defined as small pieces of leftover or unsaleable land that have been converted into public space. Often found in proximity to municipal margins and infrastructures, Toronto's parkettes provide oblique glimpses into the city's socio-political, economic and geographic histories. Featuring seven newly commissioned performances and temporary installations, The Parkette Projects probe existing tensions and future potentials for poetic and political relations between self, body, site, and society across a shifting urban landscape. Sponsored by Gallery TPW as part of Toronto’s Year of Public Art.

Contact information:
Shani K Parsons, Curator
[email protected] / [email protected]

Prospect.5: Yesterday We Said Tomorrow

October 23, 2021 – January 2022
New Orleans, LA, citywide

Inspired by New Orleans jazz musician Christian Scott aTunde Adjuah’s 2010 album Yesterday You Said Tomorrow, the title of the exhibition centers the unspoken present, the place where past and future come together, and where other courses of action become possible. The exhibition title also implies the deferral of meaningful change, which often comes slowly or not at all. The artists and ideas that define this exhibition confront this truth, and the stark realities of history, but also suggest that we might yet plot a different future.

Prospect.5 features an intergenerational group of 51 artists from the United States, the Caribbean, Africa, and Europe. The artists have created projects that emerge from research into place, express connections to the past and to land, and seek to form and reflect community. They have considered the ways in which history continues to shape the present, and their artworks are testaments to acts of ritual, selfhood, and modes of resistance that define daily life in New Orleans and beyond. Their projects offer spaces of memorialization and mourning, and of imagination and togetherness.

Fall 2021 | Volume 13, Issue 3
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